Suite: Entablature Series, Edition: from the limited Printer's Proof edition, Year: 1976, Medium: Screenprint and collage with embossing on Rives BFK paper, Publisher: Tyler Graphics Ltd., Bedford Village, New York
Year: 1963-1964, Medium: Offset Lithograph on light weight, white wove paper, Publisher: Leo Castelli Gallery, New York
Suite: La Nouvelle Chute de l'Amerique (The New Fall of America), Edition: 68 from the Limited Edition of 80, Year: 1992, Medium: Etching and aquatint on 250-gram Velin d'Arches paper, Publisher: Les ??ditions du Solstice, Paris
Suite: Surrealist Series, Edition: 34 from the limited edition of 38, Year: 1978, Medium: Lithograph on Arches 88 paper
Suite: La Nouvelle Chute de l'Amerique (The New Fall of America), Edition: 68 from the Limited Edition of 80, Year: 1992, Medium: Etching and aquatint on 250-gram Velin d'Arches paper, Publisher: Les ??ditions du Solstice, Paris
Suite: La Nouvelle Chute de l'Amerique (The New Fall of America), Edition: 68 from the Limited Edition of 80, Year: 1991, Medium: Etching and aquatint on 250-gram Velin d'Arches paper, Publisher: Les ??ditions du Solstice, Paris
Suite: American Indian Theme Series, Edition: 13 from the limited edition of 50, Year: 1980, Medium: Woodcut on handmade Suzuki paper, Publisher: Tyler Graphics Ltd., Bedford Village, New York
Edition: aside from the signed and edition of 100, Year: 1963, Medium: Offset Lithograph in black on lightweight, off-white wove paper, Publisher: Leo Castelli Gallery, New York
Suite: La Nouvelle Chute de l'Amerique (The New Fall of America), Edition: 68 from the Limited Edition of 80, Year: 1992, Medium: Etching and aquatint on 250-gram Velin d'Arches paper, Publisher: Les ??ditions du Solstice, Paris
Edition: 106 from the limited edition of 200, Year: 1964, Medium: Screenprint on translucent Rowlux
Suite: Literature: Corlett II.8, Edition: from the limited edition of 300, Year: 1967, Medium: Screenprint in colors on smooth, ivory wove paper, Publisher: Leo Castelli Gallery, New York
Edition: 23 from the limited edition of 32, Year: 1980, Medium: Soft-ground etching, aquatint, and engraving on mold-made Lana paper, Publisher: Tyler Graphics Ltd., Bedford Village, New York
Suite: La Nouvelle Chute de l'Amerique (The New Fall of America), Edition: 68 from the Limited Edition of 80, Year: 1991, Medium: Etching and aquatint on 250-gram Velin d'Arches paper, Publisher: Les Editions du Solstice, Paris
Suite: Cathedral Series, Year: 1969, Medium: Lithograph on Special Arjomari paper, Publisher: Gemini G.E.L., Los Angeles
Suite: the Bull Head series, Edition: 39 from the limited edition of 100, Year: 1973, Medium: Lithograph, screenprint, and line-cut on Arjomari paper, Publisher: Gemini G.E.L., Los Angeles
Suite: The Seven Apple Woodcuts series, Edition: 24 from the limited edition of 60, Year: 1982, Medium: Woodcut in colors on handmade Iwano Kizuki Hosho paper, Publisher: Petersburg Press, Inc., London and New York
Suite: Bull Profile series, Edition: 57 from the limited edition of 100, Year: 1973, Medium: Lithograph, screenprint, and linecut on Arjomari paper, Publisher: Gemini G.E.L., Los Angeles
Suite: Bull Profile Series , Edition: 57 from the limited edition of 100, Year: 1973, Medium: Line-cut on Arjomari paper, Publisher: Gemini G.E.L., Los Angeles
Suite: Seven Apple Woodcuts series, Edition: 30 from the rare Limited Edition of 60, Year: 1983, Medium: Woodcut on handmade Iwano Kizuki Hosho paper, Publisher: Petersburg Press, Inc., London and New York
Suite: Bicentennial Portfolio, Edition: 61 from the limited edition of 200, Year: 1975, Medium: Lithograph and screenprint on white wove paper, Publisher: APC Editions, division Chermayeff & Geismar Associates, Inc., New York
Edition: from the limited edition of 200, Year: 1971, Medium: Lithograph and screenprint on Special Arjomari paper, Publisher: the artist and Gemini G.E.L., Los Angeles, for the Museum of Modern Art, New York
Edition: 5 from the limited Artist's Proof edition, aside from the edition of 101, Year: 1969, Medium: Lithograph on Arches paper, Publisher: the artist, for the Print Collectors of the Friends of Art, Kansas City, Missouri
Edition: 39 from the limited edition of 54, Year: 1970, Medium: Lithograph on Special Arjomari paper, Publisher: Gemini G.E.L., Los Angeles
Edition: 159 from the limited edition of 300, Year: 1964, Medium: Offset Lithograph on white wove paper, Publisher: Leo Castelli Gallery, New York
Roy Lichtenstein was born in 1923 in New York City, and he died in 1997. Roy began a career in art early on, attending Parsons School of Design at only 14 years of age. He also studied briefly with Reginald Marsh at the Art Students League in 1939. After graduating, Lichtenstein went to Ohio State University, where his art style was greatly influenced by Hoyt Sherman and the treatment of cliche subjects. After completing his master’s at Ohio State, Lichtenstein taught on campus and began a career in art, employing Abstract Expressionism in his work, as well as creating figurative images and pop-art. In 1961 he began teaching at Rutgers University where he met Allan Kaprow, Claes Oldenburg, and Jim Dine. In 1965 Roy Lichtenstein moved away from the likes of pop-art and focused solely on Abstract Expressionism while including a style all his own.