Jim Dine was born in 1935 in Cincinnati, Ohio. He began his art education at the Art Academy in Cincinnati where he grew up and moved on to the University of Cincinnati where he earned his B.F.A.
In 1959 he moved to New York where he collaborated with Allan Kaprow, Claes Oldenburg, and Robert Whitman after creating his art group, ‘Happenings’. His style followed that of abstract expressionism, through his utilization of attaching everyday objects to his art which shadowed that of the object.
His work is very popular and has been featured in the New York the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Metropolitan Museum.
Jim Dine was born in 1935 in Cincinnati, Ohio. He began his art education at the Art Academy in Cincinnati where he grew up and moved on to the University of Cincinnati where he earned his B.F.A. In 1959 he moved to New York where he collaborated with Allan Kaprow, Claes Oldenburg, and Robert Whitman after creating his art group, ‘Happenings’. His style followed that of abstract expressionism, through his utilization of attaching everyday objects to his art which shadowed that of the object. His work is very popular and has been featured in the New York the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Metropolitan Museum.
Jim Dine was born in 1935 in Cincinnati, Ohio. He began his art education at the Art Academy in Cincinnati where he grew up and moved on to the University of Cincinnati where he earned his B.F.A.
In 1959 he moved to New York where he collaborated with Allan Kaprow, Claes Oldenburg, and Robert Whitman after creating his art group, ‘Happenings’. His style followed that of abstract expressionism, through his utilization of attaching everyday objects to his art which shadowed that of the object.
His work is very popular and has been featured in the New York the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Metropolitan Museum.
Suite: The Picture of Dorian Gray, Edition: from the limited edition of 200, Year: 1968, Medium: lithograph on acetate and Velin Arches paper, Publisher: Petersburg Press, London
Suite: The Picture of Dorian Gray, Edition: from the limited edition of 200, Year: 1968, Medium: lithograph in colors, Publisher: Petersburg Press, London
Suite: The Picture of Dorian Gray, Edition: from the limited edition of 200, Year: 1968, Medium: lithograph on acetate and Velin Arches paper, Publisher: Petersburg Press, London
Suite: The Picture of Dorian Gray, Edition: from the limited edition of 200, Year: 1968, Medium: lithograph on acetate and Velin Arches paper, Publisher: Petersburg Press, London
Suite: The Picture of Dorian Gray, Edition: from the limited edition of 200, Year: 1968, Medium: lithograph on acetate and Velin Arches paper, Publisher: Petersburg Press, London
Suite: The Picture of Dorian Gray, Edition: from the limited edition of 200, Year: 1968, Medium: lithograph on acetate and Velin Arches paper, Publisher: Petersburg Press, London
Suite: The Picture of Dorian Gray, Edition: from the limited edition of 200, Year: 1968, Medium: lithograph on acetate and Velin Arches paper, Publisher: Petersburg Press, London
Suite: The Picture of Dorian Gray, Edition: from the limited edition of 200, Year: 1968, Medium: lithograph on acetate and Velin Arches paper, Publisher: Petersburg Press, London
Suite: The Picture of Dorian Gray, Edition: from the limited edition of 200, Year: 1968, Medium: lithograph on acetate and Velin Arches paper, Publisher: Petersburg Press, London
Suite: The Picture of Dorian Gray, Edition: from the limited edition of 200, Year: 1968, Medium: lithograph on Velin Arches paper, Publisher: Petersburg Press, London
Suite: The Picture of Dorian Gray, Edition: from the limited edition of 200, Year: 1968, Medium: lithograph on acetate and Velin Arches paper, Publisher: Petersburg Press, London
Edition: 15 from the limited edition of 50, Year: 1984, Medium: Screenprint and lithograph in colors on William Morris Nonesuch buff paper, Publisher: Pace Editions, Inc., New York
Edition: 1 from the limited Artist Proof edition of 30, aside from the edition of 100, Year: 1989, Medium: Etching and aquatint in colors on Zerkall White paper, Publisher: Gesselschaft der Freunde der Albertina/Werkstatt für Handgedrcukte Original-Graphik, Vienna
Edition: 9 from the limited edition of 20, Year: 1984, Medium: Woodcut in colors on Okawara paper, Publisher: Pace Editions, New York
Suite: 11 Pop Artists, Volume II, Edition: a proof, aside from the limited edition of 200, Year: 1965, Medium: Screenprint on Cartridge paper, Publisher: Original Editions, New York
Suite: Hommage a Picasso, Edition: from the limited bon a tirer edition, aside from the edition of 90, Year: 1973, Medium: Lithograph in colors on Arches paper, Publisher: co-published by Petersburg Press, New York/Ulstein Propyläen Verlag, Berlin
Jim Dine was born in 1935 in Cincinnati, Ohio. He began his art education at the Art Academy in Cincinnati where he grew up and moved on to the University of Cincinnati where he earned his B.F.A.
In 1959 he moved to New York where he collaborated with Allan Kaprow, Claes Oldenburg, and Robert Whitman after creating his art group, ‘Happenings’. His style followed that of abstract expressionism, through his utilization of attaching everyday objects to his art which shadowed that of the object.
His work is very popular and has been featured in the New York the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Metropolitan Museum.
Jim Dine was born in 1935 in Cincinnati, Ohio. He began his art education at the Art Academy in Cincinnati where he grew up and moved on to the University of Cincinnati where he earned his B.F.A. In 1959 he moved to New York where he collaborated with Allan Kaprow, Claes Oldenburg, and Robert Whitman after creating his art group, ‘Happenings’. His style followed that of abstract expressionism, through his utilization of attaching everyday objects to his art which shadowed that of the object. His work is very popular and has been featured in the New York the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Metropolitan Museum.